欧洲的某个地方
Somewhere in Europe
影片信息
- 状态：HD中字
- 主演：Artúr Somlay/Miklós Gábor/Zsuzsa Bánki/
- 导演：Radványi Géza/
- 年份：1948
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2026-03-19 11:54
- 简介： Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
- 746
-
关注公众号观影不迷路
-
扫一扫用手机访问
4.0
网友评分
529次评分
扫一扫用手机访问
剧情简介
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
为你推荐
换一换-
HD国语6.0 A Long Shot/
-
更新至高清10.0 马里奥·卡萨斯///玛蕾拉·嘉里加///路易斯·扎赫拉///诺拉·纳瓦斯///丹尼·德拉托雷/
-
更新至高清7.0 马特·索维托///杰夫·里基茨///肯·阿诺德///丹·德鲁卡///扎克·史蒂菲///凯文·吉格茨///山姆·科泽卢赫///玛丽亚·洛恩///克劳迪乌斯·冯·斯托尔茨曼///弗洛伦蒂诺·格雷戈里奥///奥利弗·卡西斯克///莫妮卡·格雷戈里奥///凯特·希门尼斯///马尔科·瓦伦塔/
-
更新至高清1.0 未知
-
更新至高清1.0 未知
-
TC中字1.0 浴血黑帮：不死之人/浴血黑帮：不朽传奇/不朽之人/Peaky Blinders: The Immortal Man/
-
HD国语5.0 李新花/丁天培/
-
HD4.0 卡拉·朱里/Véronique Tshanda Beya/Esperanza Martin González-Quevedo/Alessia Raschellà/沙夏·莱伊/
-
HD7.0 盖尔·加西亚·贝纳尔/达里奥·亚斯贝克·贝纳尔/拉斐尔·莫雷斯/托马斯·阿尔韦斯/保罗·卡拉特雷/罗尼·拉扎罗/Rafa Siguion-Reyna/Ivo Arroja/麦克斯·格罗斯·马延奇/Roger Alan Koza/奉·卡布雷拉/Hazel Orencio/Daniel Palisa/瓦尔德马尔·桑托斯/Ângela Ramos/Yvanne Evangelista/Rubén Carballés/Elisabete Pedreira/Sasa Cabalquinto/Amado Arjay/
-
HD8.0 蒙·康菲多/Lesley Lina/Yukihiko Mizomoto/尾野真千子/曼尼·帕奎奥/田边桃子/Lou Veloso/Buboy Villar/结城贵史/
-
HD国语7.0 余洺轩/郭宽/
-
HD中字3.0 水物语/流年似水(台)/
-
HD3.0 黄婉曼/蔡雪莹/倪嘉雯/黄嘉雯/廖慧仪/伍倩彤/陈嘉倩/胡敏芝/吴兆麟/吴浩康/巩姿希/陈奂仁/区永权/陈凯琳/姚子羚/麦玲玲/方皓玟/洪永城/冯盈盈/单立文/吴业坤/黄婧灵/叶靖仪/蔡景行/萧正楠/江嘉敏/冼迪琦/何泳芍/栢天男/苏民峰/姜皓文/森美/刘颖镟/温碧霞/禾浩辰/赖彦妤/邵音音/谢嫣薇/彭翔翎/施焯日/布乐文/
-
更新至高清1.0 胡文珊/刘明/吴科燃/
-
更新至高清2.0 奥马尔·阿尤索/奥萝尔·克莱芒/邓肯·艾尔利·詹姆斯/José Roberto Díaz/Eddie Register/Dorothée de Koon/Roland Bonjour/
-
HD中字7.0 Titi Kamal/Citra Kirana/Muhammad Faqih Alaydrus/Daffa Wardhana/
-
HD中字6.0 深渊迷途/
-
更新至高清9.0 未知
-
更新至高清9.0 安娜·穆查// Nadine Heidenreich / Anna Yuzhakova / Tatiana Garkusha / Lyudmila Sidorkevich/
-
更新至高清2.0 米格尔·埃尔南///阿隆·陂佩///哈维尔·佩雷伊拉///费尔南多·瓦尔迪维尔索// Alejandro Jato / Federico Pérez Rey //何塞·帕斯塔// Manel Llunell / Sergey Ufimtzev //金娜·塔斯布拉托娃// Diego Montejo / Sara Robisco / Altynai Nogherbek / Farabi Akkozov //丹尼尔·霍瓦斯///克里斯蒂安·斯塔姆// Peter Nikolas / Manuel Corder/
-
更新至高清7.0 麻兰都/光俊/元草/尹国丹/清南/
-
HD中字7.0 Take Off/
-
HD国语1.0 胡文珊/刘明/吴科燃/
-
HD中字1.0 未知
-
HD1.0 陈少泽/宋景昌/王保华/向梅/陈国军/李启民/狄剑青/朱德承/陈汝斌/顾谦/徐丹/
-
HD2.0 马晓伟/陈肖依/史淑桂/赖昭群/郭浩/姚德冰/谭非翎/姚克勤/李兰发/虞桂春/段炼/朱顺良/孟俊/
-
HD国语8.0 Kai qiang/ wei ta song xing!/
-
HD5.0 吴玉华/牛娜/林强/马群/刘延尧/王宝华/狄剑青/崔超明/郝一平/季艳梅/石荣/郭勇/
-
HD3.0 颜世魁/庞敏/吴竞/钱勇夫/傅祖成/冯福生/于海洋/Haiyang/Yu/黄锦裳/丁铁宝/
-
HD8.0 梁音/陈国军/陈奇/曲云/白穆/岳明强/张贵鑫/李希达/